Everything Theatre An honest and unpretentious guide to the London theatre scene.

A fabulous immersive set gives a home to a funny, well performed musical.

Playwright James Saunders presents us with a classic scenario. A younger couple and an older couple gather together in a living-room, having not seen each other for nine years. Each spouse has cheated with the spouse of the other, and no-one is really sure why they agreed to meet. Chaos ensues; drama is born. This is the first staging of Bodies since 1979. Certainly Saunders is not a playwright I’ve encountered much in my long and lovely affair with drama. ...

The sweat, the blood and the tears behind the tumbles. A must see for any fan of circus arts.

Absence of atmosphere and a weak ensemble result in a production that fails to conjure any spirit.

Comedy, clowning, black magic, sexual healing, rituals and cross-dressing. Tell me that doesn’t sound like a good night out.

Moving, beautifully produced musical that's good for the ears and heart.

Two spot on performances of two interesting women, but overall result feels dated.

Pros: Good to see an early Ibsen being staged. Cons: Early Ibsen sags in the middle. Ottisdotter Productions bring their focus to lesser known and obscure plays that emphasise the role of women in society. Having last been presented at London’s Adelphi Theatre in 1911, Henrik Ibsen’s Olaf belongs amongst the Norwegian master’s lesser known works, falling outside the 12-play ‘Ibsen Cycle.’ The version presented at Barons Court Theatre is an adaptation by ottisdotter of Anders Orbeck’s translation of Ibsen’s Olaf ...

A delight of an evening; entertaining monologues interspersed with powerfully performed songs.

An immensely moving production that addresses the topic of the narcotics trade with honesty, minus the usual side of false glamour.