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Happy Hour, Pleasance Dome (QueenDome) – Review

After winning a Fringe First award with his debut play La Merda, Cristian Ceresoli is back at the Edinburgh Festival Fringe with a new, challenging work. Like a stream of consciousness, Happy Hour depicts a dystopia where everyone is forced to be happy, football coaches teach children to masturbate and people are forcibly removed from their homes and thrown inside empty aquariums. It is performed with courage and unwavering dedication by Silvia Gallerano and Stefano Cenci, under Simon Boberg's forward-thinking direction. The pair play two young siblings giving an account of the mundane events happening around them. The neighbour…

Summary

Rating

Good

Award-winning Italian playwright Cristian Ceresoli returns to the Fringe festival with a new challenging script. Irksome but masterfully embodied by two brilliant performers.

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After winning a Fringe First award with his debut play La Merda, Cristian Ceresoli is back at the Edinburgh Festival Fringe with a new, challenging work. Like a stream of consciousness, Happy Hour depicts a dystopia where everyone is forced to be happy, football coaches teach children to masturbate and people are forcibly removed from their homes and thrown inside empty aquariums.

It is performed with courage and unwavering dedication by Silvia Gallerano and Stefano Cenci, under Simon Boberg’s forward-thinking direction. The pair play two young siblings giving an account of the mundane events happening around them. The neighbour washing his car, the evil landlord growing tomatoes, the dad spending most of his day at work.

As time passes, their descriptions become increasingly disturbing, surreal, yet reported with the same fresh-eyed spontaneity. These are intertwined with abrupt intersections of a much darker nature. There are recurring references to concentration camps, although the stripy uniforms here are pink and black.

The plot is inconsistent. Every time a point is about to be made a new digression is introduced, with a handful of strong images drowning in meandering repartees. Amongst them, the exploitative use of children in the showbiz, as well as their constant exposure to sexualised contents. The elderly are disposed of without remorse and everyone is subjugated to the control of the Police.

With such an irksome script, Happy Hour is one of those plays that make us leave the auditorium without a clue of what has just happened on stage. Yet it’s so out-of-the-box that it will get everyone talking. Truth is that it’s not that pleasant to watch, its meaning – if any – is rather obscure, but Gallerani and Cenci are worth the price of the ticket alone. Besides, the DJ Blue Cat’s tune “Caracalla” that serves as a soundtrack is so catchy it will linger into the mind for days and days.

Author: Cristian Ceresoli
Director: Simon Boberg
Producer: FKP, Richard Jordan Productions, Teatro Metastasio, Teater Grob, The Pleasance
Box Office: +44 (0)131 226 0000
Booking Link: https://tickets.edfringe.com/whats-on/happy-hour
Booking Until: 26 August 2019

About Marianna Meloni

Marianna Meloni
Marianna, being Italian, has an opinion on just about everything and believes that anything deserves an honest review. Her dream has always been to become an arts critic and, after collecting a few degrees, she realised that it was easier to start writing in a foreign language than finding a job in her home country. In the UK, she tried the route of grown-up employment but soon understood that the arts and live events are highly addictive.