Home » Reviews » Edinburgh Festival » Mad Women in My Attic!, PQA Venues @Riddle’s Court (PQA One) – Review
Mad Women in My Attic!, Edimburgh Fringe 2018 - Courtesy of Roberto Ricciuti

Mad Women in My Attic!, PQA Venues @Riddle’s Court (PQA One) – Review

Pros: The fin-de-siècle atmosphere generated by a superb combination of production elements.

Cons: The raked stalls tend to obstruct Salvi’s flamboyant interaction with the audience.

Pros: The fin-de-siècle atmosphere generated by a superb combination of production elements. Cons: The raked stalls tend to obstruct Salvi's flamboyant interaction with the audience. Often typecast in the role of a mad woman, Royal Academy of Music graduate Monica Salvi started to develop a strange sympathy for her characters, which eventually led to a nervous breakdown. Now safely locked away in a mental asylum, she makes the most of her recreational hour by introducing her fellow inmates to the many women that populate her imagination. Enveloped in the Victorian opulence of her several costume changes and cocooned in…

Summary

Rating

Excellent

A quintessentially gothic cabaret which celebrates the timeless entertainment value of a good fictional madwoman.

User Rating: Be the first one !
Often typecast in the role of a mad woman, Royal Academy of Music graduate Monica Salvi started to develop a strange sympathy for her characters, which eventually led to a nervous breakdown. Now safely locked away in a mental asylum, she makes the most of her recreational hour by introducing her fellow inmates to the many women that populate her imagination.

Enveloped in the Victorian opulence of her several costume changes and cocooned in the velvety atmosphere of a fin-de-siècle cabaret, Salvi treats the audience to the voluptuous sound of her voice. Her repertoire goes from Norma Desmond in Andrew Lloyd Webber’s Sunset Boulevard to Johanna in Stephen Sondheim’s Sweeney Todd, as well as reviving the fiery melodies and mischievous lyrics of Kander & Ebb, Maury Yeston, Tom Lehrer, Heisler & Goldrich and Emily Autumn.

Feisty and boundless, Salvi floats around the audience, pulling the unaware men to dance a ‘Masochism Tango’ on stage or ruffling their hair whilst introducing a ‘Dangerous Cabaret’. Her comic timing is impeccable, as well as her physical contribution to the diverting lyrics of songs like ‘I Need a Stalker’ or ‘Apathetic Man’.

From the corner, her ‘psychothera-pianist’ plays the live score on a keyboard disguised as a writing cabinet, which suddenly seems to have a mind of its own and starts playing a pre-recorded tune. Instead of ruining the atmosphere, this technical glitch is promptly shaped into comedic material by the close-knit duo, who visibly gain confidence as the evening progresses.

Mad Women in My Attic! is a quintessentially gothic hour of entertainment, which has already been praised on both sides of the Atlantic and in London has been staged at the newly refurbished The Other Palace. Its timeless elegance stems both from  its production values and its charismatic interpreter.

Adapted by: Monica Salvi
Director: Clare McKenna
Producer: Miss Monica Salvi
Box Office: 0131 226 0000
Booking Link: https://tickets.edfringe.com/whats-on/mad-women-in-my-attic
Booking Until: 27 August 2018

About Marianna Meloni

Marianna Meloni
Marianna, being Italian, has an opinion on just about everything and believes that anything deserves an honest review. Her dream has always been to become an arts critic and, after collecting a few degrees, she realised that it was easier to start writing in a foreign language than finding a job in her home country. In the UK, she tried the route of grown-up employment but soon understood that the arts and live events are highly addictive.